自那次夺去了2万多人生命的东日本大地震，已经过去了3年。NHK在此前一直在持续地探访遇难者遗属，并将他们的生活状态记录下来。这其中有失去6岁女儿的母亲、失去母亲的高中生、以及失去丈夫和父亲以及独生子的女士。他们都度过了各自难熬的3年。通过对遗属的问卷调查，他们在灾后的心路历程历历在目地呈现在我们眼前。

12岁的“天才少年”赵以水、35岁的“老班长”曹正昌、21岁的“奶油小生”尤优和18岁的“校园白月光”文鹊喜，他们是恢复高考后的第一批大学生。跨越年龄阅历的鸿沟、情窦初开的青涩之恋、流行文化对思想冲击、时代号召下的澎湃激情，一群原本毫不相关的年轻人在大时代的剧烈变革下意外地相聚在了一起，他们将热血青春永恒地镌刻进了我们的时代，而我们的时代又在一遍遍地传颂着他们青春的故事。那是独属于青春的黄金年代，我们怀念岁月，因为我们本以为那是梦的开始……

12岁的“天才少年”赵以水、35岁的“老班长”曹正昌、21岁的“奶油小生”尤优和18岁的“校园白月光”文鹊喜，他们是恢复高考后的第一批大学生。跨越年龄阅历的鸿沟、情窦初开的青涩之恋、流行文化对思想冲击、时代号召下的澎湃激情，一群原本毫不相关的年轻人在大时代的剧烈变革下意外地相聚在了一起，他们将热血青春永恒地镌刻进了我们的时代，而我们的时代又在一遍遍地传颂着他们青春的故事。那是独属于青春的黄金年代，我们怀念岁月，因为我们本以为那是梦的开始……

BBC“电视史上的里程碑”，当代艺术历史最具雄心壮志的纪录片拍摄工作，由著名艺术历史学家克拉克爵士担任编剧与主持，探讨西欧文明，而爵士更在本片中界定了人类文明发展中的几个重要阶段。《文明的轨迹》历时两年才拍摄完毕，剧组跨越13个国家，曾走访百多个城市拍摄，本纪录片首年播出时更被喻为电视史上的代表作。克拉克爵士引人入胜的对白，再加上欧洲地标动人画面，带领我们探索自罗马帝国沦亡至工业革命用其后的文明发展。这种通过艺术、音乐来呈现历史观点的做法，成为日后无数纪录片看齐并努力超越的基准。 　　"Kenneth Clark's sumptuous,magisterial,one-man servey of the achievements of bumanistic civilisation is a TV landmark" The daily mail 　　In 1966 BBC Television embarked on its most ambitious documentary series to date.The eminent art historian Lord Clark was commissioned to write and present an epic examination of Western Eyuopean culture,defining what he considered to be the crucial phases of its development.Civilisation:A personal View by Lord Clark would be more than two years in the making,with filming in over 100 locations across 13 countries.The lavish series was hailed as a masterpiece when it was first transmitted in 1969. 　　From the fall of the Roman Empire to the Industrial Revolution and beyond,Clark's compelling narrative is accompanied by breathtaking colour photography of Europe's grearest landmarks.This "history of ideas as illustrated by art and music'remains the benchmark for the numerous programmes it inpired. 　　特别收录 Special Feature 　　大卫·艾登堡禄爵士回忆《文明的轨迹》制作过程 Sir David Attenborough remembers the making of Civilisation 　　剧相馆 Photo gallery of behind-the-scenes stills

本片是以动画为呈现手法，实为书写给台北国际艺术村的一封动态信件。藉由糅杂不同驻村艺术家回馈的驻村感想并结合动画的流动性及延展性，艺术村从一个官方机构被变形为连接四面八方的桥，创造专属此地的时空经验。

多年来目睹一位朋友因性虐待引发创伤后应激障碍（PTSD），此后导演偶然结识了一位身为幸存者的摄影师 —— 对方的经历激励他决定拍摄这部电影。

A young Japanese actress remembers her war childhood in Korea. Her father goes to fight, her baby sister Miko dies of typhoid, her beloved Korean maid Ohana is fired due to a mistake which could cost Chiko her life... By and by Chiko realizes that the country is being ruled by the Japanese and the Koreans are persecuted. When the war ends, the Koreans chase the Japanese rule and the roles change. Now Chiko's family is unwanted. But then the Russians come and this is the end. They have to burn all the pictures to avoid all suspicions... even Miko's picture. But when the Russians come to their house, they decide to flee over the 38th Parallel towards freedom. A group of men, women, children struggles along the mountains, led by the light of the Northern Star. Along the way they meet a Korean man, who is willing to help them to escape the Russian soldiers although his family was killed by the Japanese.

本片是以动画为呈现手法，实为书写给台北国际艺术村的一封动态信件。藉由糅杂不同驻村艺术家回馈的驻村感想并结合动画的流动性及延展性，艺术村从一个官方机构被变形为连接四面八方的桥，创造专属此地的时空经验。

1976年7月28日唐山地震，十万解放军奔赴灾区抗震救灾结下军民鱼水深情的动人情景。